The rise of Targeted Advertising (TA) in 2023, with solutions like Sigma’s Targeted TV Advertising, offers a ray of hope amid the challenges faced by broadcasters and operators. While the industry witnessed record-high viewership during lockdowns, the revenue from advertising, a crucial part of the sector, took a hit.
Nevertheless, there’s a sense of optimism in the industry. TA solutions, which deliver ads tailored to consumers’ individual interests, even down to the household or individual level, are gaining mainstream acceptance. While TA’s share of the overall ad spending remains relatively small, its growth trajectory continues upward, despite the impact of the COVID-19 pandemic. Notably, eMarketer predicts that Connected TV (CTV) ad spending in the US will surge from $8.11 billion in the previous year to $18.29 billion by 2024.
2023 Vision — Targeted Ads come of age
While the United States is undeniably a significant hub for the growth of Targeted Advertising (TA), recent months have witnessed a surge in TA activity on a global scale, encompassing Europe, APAC, Latin America, and various other regions.
In the final months of 2023, Europe alone witnessed a flurry of developments: UK commercial broadcaster ITV unveiled its Planet V platform, FranceTV Publicité and Orange launched pioneering linear campaigns in France using TA, Molotov, a French OTT live and catch-up TV platform, introduced the new AVOD service Mango, and Movistar rolled out a TA service on channel #0 in Spain, with plans for expansion in 2021. Notably, similar initiatives were initiated by Mediaset in Italy, Proximus in Belgium, RTL in Germany, and a host of other projects globally.
Broadcasters across the world are either introducing standalone solutions or forging strategic alliances, such as the collaboration between rival Pay-TV companies Sky and Virgin in the UK. Simultaneously, ad tech companies are experiencing a comparable surge in activity. Samsung, for instance, made its Connected TV (CTV) inventory programmatically available through SpotX ahead of schedule in response to increased viewership during the Covid pandemic. LG, on the other hand, invested $80 million to acquire a controlling stake in TV ad data firm Alphonso, with the objective of establishing a first-screen, cross-device advertising platform complete with integrated analytics.
As previously mentioned, the interest in Ad-Supported Video on Demand (AVOD) has seen a substantial upswing as audiences seek fresh content without incurring premium costs. Projections from Digital TV Research indicate that the AVOD market is set to grow by 120% from 2019 to 2025, jumping from $24.3 billion to $53.5 billion, and contributing 32% of total OTT revenues.
With an ever-increasing number of viewers turning to Connected TVs (CTV), exceeding 50% in select countries, and a surging demand for AVOD-driven content, the structural dynamics of the broadcast industry are shifting towards streaming as the dominant mode of consumption. Consequently, advertisers are increasingly keen on replicating the successes they’ve achieved on digital platforms within the realm of television.
SpotX, a prominent player in the evolving ad tech industry, highlights in its Global Video Advertising Trends 2021 survey that ad spend is aligning with evolving consumer behavior, and it’s gravitating toward OTT and CTV at a pace faster than previously anticipated.
The challenge of complexity
One of the limitations that operators face when looking to enter the market, however, is complexity. A research study in 2019 discovered that marketers have an average of 28 different technologies in their ad tech stack, with 70% believing that number would grow over the following three years due to the complexity of the advertising ecosystem. It would be hard to argue they are wrong.
Even narrowing the discussion down to the television space, there are a large number of competing technologies, standards, and solutions that operators can choose from. In most territories, there isn’t a clear market leader and the choices become complex.
An illustration of the difficulties here is offered by the efforts at industry standardization with at least one high profile project moving into a key phase. The DVB and HbbTV have been working together to build the forthcoming DVB-TA specification, and indeed we have been a part of these efforts at VO (you can see our recent presentation at the DVB Demos day in November last year here).
Currently, work on the DVB-TA specifications ecosystem continues within the DVB Project. This includes the implementation of SoME (Signalling on Media Essence), where audio and video watermarking are used to signal targeted advertising replacement opportunities present in supported legacy STBs via a broadband connection.
The operator opportunity in the ATV market
If that complexity can be addressed, and it can, targeted advertising provides multiple new revenue opportunities. The headline is of course the possibility of ad replacement in linear primetime, which allows operators to increase the number of ad slots without increasing ad load; charge premium rates for them; and decrease churn as viewers have been shown to respond more favorably to targeted ads.
But there are other significant opportunities as well, especially when you consider that, with their first-party data, operators have everything they need to start making money now.
Additional opportunities include:
Leverage the UI – Operators can increase inventory still further by serving ads within the UI of their apps. This can be further explored when the user is actively interacting with the UI, such as when browsing content.
Catch-up content – As we wrote in Time is Money: the hidden revenue potential of time-shifted viewing, operators can use TA technology to serve ads attached to catch-up content. With more viewers watching more minutes of catch-u every year this is a powerful proposition
Self-promotion – With many companies in the OTT sector offering triple-play services and more, TA provides a valuable route to increasing the efficiency of their own promotions, both for additional services and for specific content
Freemium to premium- Operators can offer free (or almost free) content access, backing it up with significant ad revenues, to increase their market penetration and OTT migration, and create leads that will become premium customers in the future
It’s also worth pointing out that there are solutions on the market, such as ours, that do not require the latest equipment to be installed in viewer’s homes to make this happen. 50% or more of viewers worldwide are watching television on legacy devices that do not necessarily support OTT services, and this is an audience that needs to be reached for maximum benefit.
Targeted advertising works both with and without inventory. Operators with existing inventory can offer creative monetization options enabling them to optimize between their different monetization channels and on top of that use AI-based insights to increase the efficiency and scope of their segmentation. This boosts reach and revenues as a result. For operators without inventory, an off-the-shelf smart infrastructure enables them to connect with various TV channels and support multi-ad servers. This allows them to leverage their existing first-party usage data to offer attractive segmentation to advertisers, while also supporting and measuring ad-insertion.
And with Sigma SSAI, in particular, providing a rich opportunity for the launch of new services to capture audiences hungry for increasing amounts of content, it seems there is no better time to adopt a technology that satisfies both advertisers and audiences alike.
Five critical things that TV operators should think about when it comes to choosing a solution for DRM protection.
With content budgets rising all the time, whether for original productions or rights purchases, operators are understandably paying increasing attention to the protection of that investment. It is a challenging part of any business strategy as piracy organisations are constantly evolving and finding new ways to intercept and illegally re-stream video. Digital rights management (DRM) is thus a critical part of any overall OTT business plan, whether a new launch or an established service, but there are many different things to consider when it comes to choosing the right DRM protection for your business needs.
Here then is our quick checklist of items and issues that will guide you when it comes to choosing your own DRM solutions.
5 key considerations for DRM protection
1. Recognise the value of your content
There is a direct link to the value of your content and the value that pirates can charge for accessing illegal copies of it. This means that the more you pay for your rights, the more you need to pay attention to how to protect them. Your content will be targeted; it’s a question of when and not if.
Sports rights are historically some of the most expensive in the industry and sports has been one of the main areas to be targeted in recent years, as piracy has moved to a live streaming model. Content protection here is an absolute prerequisite and is increasingly demanded by rights holders as part of any deal. Rights holders are all too aware that any leak anywhere in the world can have repercussions on their business wherever it may be situated. The prevailing mood is that they cannot be too careful.
2. Multiple devices = multi DRM
The days of watching television on a single big screen TV set in the living room are long gone. Today’s viewers watch digital content on a multiplicity of screens, from phones that they can put in their pocket to giant LCD screens that dwarf anything seen in the days of the cathode ray tube. And they expect that content to be there when they want it to be. The difficulty is that each platform has its own application language, methodology, and native DRM security, meaning that whatever you offer, viewing needs to be secured across all of them.
A multi-DRM approach is the only way that this can be done. It supports as wide a range of devices and formats as possible, as well as offering integration with third party DRM solutions such as Widevine or Microsoft PlayReady. Viewers don’t care about rights management issues; they simply expect their content to be available at anytime, anywhere, and that their viewing experience will be seamless.
3. Network considerations
Different DRM solutions generate DRM protected files in different ways, and the ideal DRM encryption solution you choose will depend on whether you leverage unicast, multicast or broadcast networks – managed or not. It’s a situation with plenty of flexibility and fairly constant evolution and iteration, and may evolve as your content delivery network advances and you reassess the ecosystem of your protected files.
It is worth pointing you that that leveraging adaptive streaming protocols such as MPEG-DASH, Microsoft Smooth Streaming and HLS is vital to maintain optimal video quality under a range of network conditions and on any device type.
4. Looking at the big picture
Any DRM solution you choose, not to mention the way you implement it, are a part of the overall content licensing agreements you sign, as rights owners become more concerned about the downstream management of digital rights.
That means it is not just the DRM you are selecting, but also the method of implementation that matters, as well as the level of security around the integration, and how security management will be handled over time: it is a complete package. Rights holders want to know that there are mitigations in place to prevent DRM protection removal, especially as DRM removal software has become more widespread
Integration need not be a lengthy process, however. VO’s own multi-DRM solution can be integrated into an operator’s ecosystem within a few weeks.
5. Hitting a moving target
Piracy is changing and evolving all the time. The amount of money – often illegal revenues of crime syndicates – being spent on establishing illegal operations is significant. This means that anti-piracy measures, including offering protected DRM content, have to constantly evolve too, to keep up as well. Technologies such as DRM Dynamic Watermarking thus become important over time, as workarounds for existing security methods become widespread amongst the pirate services, and the industry has to cope with increased DRM removal.
Managing risk
In the end, an effective DRM Solution is all about the management and limitation of risk. A solution looking to provide DRM TV needs to fulfil a range of criteria:
Deploy a set of technologies that fit your business models, that work both now and in the future
Provide rights owners with reassurance.
Integrate tightly and securely in all devices that are being used for your service. This covers both their hardware and software environments.
Piggyback on the security capabilities of the devices, and provide hardware anchorage wherever possible. This can be achieved through features such as STB secure chipsets, Trusted Execution Environments for smartphones, and more.
Take a holistic approach that does not rely on DRM alone. Additional services such as anti-piracy tracking and watermarking should also be considered too, as an essential part of your overall content protection.
Consumers are now used to dealing with DRM digital rights, with music services such as iTunes and Apple Music leading the way when it comes to audio and acting as powerful gatekeepers to protected songs and other media. However, the same situation is not yet the case when it comes to video and from the growth in Kodi Boxes to the almost total replacement of bittorrent with live streaming piracy services, video content and copyrighted works have never been under so much threat. However, there are definitely actions you can take to stay in control and make sure that digital content is protected, and that list starts with a robust security agent powered by DRM.
As sport fills the world’s TV screens once more, the battle to ensure that sports video piracy does not destroy revenues needs new anti-piracy strategies.
After a difficult few months where events were cancelled, leagues halted worldwide, and Pay-TV companies were even forced to temporarily suspend subscriptions, sports, and sports broadcasting has restarted.
Having shrunk to historic lows of a mere 3% of streaming viewing during the height of lockdown, it was back up to its more typical 30% share by mid-June. The first global sport, Formula One, restarted on 5 July, albeit on selected circuits and with no spectators. And while the Olympics has been postponed to a — hoped-for — date of July 2021, the summer schedules are full of leagues either debuting new formats or finishing off postponed matches.
There may still be no fans in attendance and the games may be taking place in unaccustomed silence, but the autumn will see sport back to its normal place in the TV schedules. And, unfortunately, the restreaming of sports by sophisticated piracy outfits is back too. A 10-country survey of more than 6000 sports fans published in June revealed that only 16% said they never watched sports using an illegal service.
A global problem
Illegal streaming is an issue around the world, no matter where the sport originates. On Friday 19 June, the Singapore High Court granted an order sought by BBC Studios, Discovery, England’s Premier League, Spain’s La Liga, and TVB for Singapore’s internet service providers to block access to 17 domains associated with popular piracy streaming sites and 41 domains associated with popular illicit streaming device (ISD) applications.
Announcing the action, the Asia Video Industry Association (AVIA) also revealed the results of a survey that said that 17% of Singapore consumers, and 32% of 18 – 24-year-olds, access streaming piracy websites or torrent sites.
It is not a situation that stays still either. A Wired piece titled Twitch Has Become a Haven for Live Sports Piracy describes how the esports gaming service has been hijacked by pirates. 70,000 viewers watched a soccer match over three live streams in January, 86,000 watched a boxing bout in December, and three of the services’ Top 10 streams were devoted to a December 21 FIFA Club World Cup match with 100,000 viewers spread between them.
Taking action against live streaming is vital, now more so than ever as businesses start the long road to recovery from the loss of income during the pandemic period.
Time is of the essence
With live events now as vulnerable to hacking and streaming as movies and tentpole TV shows, so the ability to combat them has had to shift into a real-time mode as well. There is little advantage in sending takedown notices to the three Twitch streams that were streaming the FIFA Club World Cup the day after the match or even minutes after it.
This is why dynamic watermarking solutions such as Sigma Solutions are the best solution to combat modern sports piracy. Watermarking enables speedy detection as it is vital to identify the source of the illegal stream in the modern environment. Links can of course be taken down, but web cleaning on its own is not enough nowadays as links can proliferate again via bots on social media networks with astonishing rapidity.
Couple watermarking with our Eye on Piracy service and you have a full E2E solution that provides all the tools required to combat piracy for live events swiftly and reliably. Together they allow broadcasters and operators to protect their revenue by offering the following key features that need to be considered for any effective anti-piracy strategy:
Robustness: In this instance, resistance to collusion which is the main attack to remove the watermarking
Legacy support: An anti-piracy strategy must encompass as many devices as possible. As it is a software-based solution, supporting legacy devices is not an issue
Imperceptible: A watermarking solution needs to be transparent so that it does not impact the quality of the video and the video itself
Scalable: VO’s Watermarking as a Service features a cloud deployment so that it can swiftly scale to monitor a huge number of devices and users
Resolution independent: Not only must the solution be able to accommodate future increases in resolution, it must also be able to operate at low video resolutions to identify individual users as the source of piracy
All of this makes for an ideal solution to tackle live sports piracy. It is robust enough to withstand the pirates’ increasingly sophisticated attempts at obfuscation; it is software based so that it can reach the huge range of devices that sports fans watch games and matches on; it is undetectable to the viewer (and the unwitting pirate); it is cloud-based and so swiftly scalable, not to mention the possibilities for deployment on an ‘as you go’ basis; and it can extract watermarks even from poor quality pictures.
Watermarking and sports piracy
Watermarking is not a cure for sports piracy on its own. While a powerful tool and a key enabler for real-time action, it needs to be seen as part of an overall anti-piracy strategy. This is increasingly something that sports leagues and content owners are looking for; a quality of service that protects their valuable assets and can combine several technologies together to take the fight to the pirates.
Furthermore, watermarking can be automated with web crawler solutions to manage anti-piracy in real-time. And real-time action is just what is needed. As sport returns to our screens experience says that piracy is not far behind it.
How can targeted advertising make time-shifted viewing a revenue source for TV operators and broadcasters?
In recent years, more people have been changing the way they watch TV. They’re using something called time-shifted TV (TSTV). This means they watch TV shows at their own time using services like catch-up and network recording. This way of watching TV is becoming more popular all around the world.
For example, in the UK, people spend an average of 30 minutes each day watching time-shifted TV, which is about 15.6% of their total TV time. In the United States, people watch about 3 hours and 27 minutes of time-shifted TV every week, while they spend 26 hours and 5 minutes watching live TV. In France, in 2019, 7.8 million French people used catch-up services to watch shows, which is 13% more than in 2017. These numbers have likely gone up even more because of the Covid-19 pandemic.
As more people use time-shifted TV, the technology behind it has also improved. It started with things like VHS tapes, then came PVRs (Personal Video Recorders), and now we have cloud PVR solutions like the one made by Broadpeak. But one thing that hasn’t changed is that people still don’t like watching commercials, and this causes broadcasters to lose money.
New way to deal with this problem
Instead of just fast-forwarding through ads, we can use something called targeted advertising. This helps broadcasters make money without annoying viewers.
By using the right targeted advertising technology and a mix of client and server-side ad replacement and insertion, TV operators can show time-shifted TV with fewer ads or even no ads at all, and they don’t need to change the content. This lets operators offer different pricing options, like paying for an ad-free service or watching some ads to make the service cheaper. This is something a lot of people are okay with, as a recent survey showed that 53% of people are willing to watch ads to lower the service price.
The best part is that this solution doesn’t depend on the regular ad slots in TV shows. Ads can be put into recorded content without changing it. The usual pre-roll ads are still there, so there are more ads available overall. Event-based advertising, where ads show up when viewers do things like fast-forwarding or pausing, is another way to target ads. Advertisers like this because they know viewers are paying attention when these ads show up.
A winning formula
The introduction of targeted advertising in time-shifted television is a win-win scenario for various stakeholders in the broadcasting ecosystem.
For broadcasters, it presents an opportunity to monetize content beyond its initial transmission, while also offering advertisers a highly rewarding means of audience segmentation. This is a significant attraction gaining momentum across the industry.
Operators, on the other hand, benefit from increased ad inventory and can extend valuable advertising slots to advertisers, opening up the potential for further revenue growth without alienating viewers with low ad tolerances. This approach is cost-effective, as it doesn’t require investments in costly on-premises or domestic equipment for subscribers. Instead, it can be implemented as part of operational expenditure (opex). This additional revenue stream allows operators to offer viewers more features and services at the same price or even lower their tier pricing, enhancing the overall value proposition.
For advertisers, this development provides access to a growing segment of viewers who engage in time-shifted television. Targeted advertising for time-shifted viewing, whether as pre-roll or conventional mid-roll slots, extends the reach of their advertisements. Advertisers can ensure their ads are actually watched, particularly pre-roll, which is often designed as “unskippable” by major SVOD providers and has gained consumer acceptance. Event-based advertising offers additional certainty that the viewer is actively engaged with the content during ad placement, further enhancing the effectiveness of campaigns.
Extending campaigns into the catch-up window offers advertisers flexibility for real-time campaign optimization, maximizing revenue growth.
As for viewers, they are likely to approve of this development. With fewer ads, thanks to targeted advertising, viewers are more engaged with the ads they do see, as the content is more relevant to their interests. This improvement in user experience and a reduction in ad load can lead to higher retention rates.
Furthermore, the ability to access ad-free services through a paid subscription, along with various options in between, adds value to the offering. This can increase viewer retention and reduce churn, as well as contribute to improved GDPR opt-in rates, as viewers appreciate the control and customization offered by these services.
When does an abundance of choices become overwhelming? Nowadays, with an almost boundless array of content options, the problem is no longer “there’s nothing to watch right now”; it’s more like “there’s too much to watch, how do I decide?”
For decades, TV channels followed a set schedule, broadcasting specific shows at specific times. However, the advent of Over-The-Top (OTT) services has given consumers the freedom to choose when, how, and on which device to watch.
In this fiercely competitive environment, TV service providers face the challenge of attracting and retaining viewers. Among various strategies, offering a personalized TV experience has proven to be effective. Consumers have grown accustomed to a high degree of personalization in various aspects of their lives. For instance, streaming music apps like Spotify and Pandora provide a personalized experience, recognizing users, making tailored recommendations, and allowing users to seamlessly resume a podcast, song, or playlist where they left off. These apps also curate custom playlists based on a user’s listening history and downloads.
Navigation apps such as Waze empower users to create profiles, input home and work addresses, and even earn rewards for reporting heavy traffic and accidents. Online shopping platforms cater to individual preferences, presenting each shopper with a personalized page showcasing previous purchases, product recommendations, and various other customized elements.
From the household to the individual
However, many TV packages are still geared to all users in their household and not to the individual. Most consumers find this approach dated. They expect a custom experience, with their own profile and standard features such as their name and profile picture at the start. They presume that the service will remember what they watched and enable ‘continue watching’ so that they can pick up where they left off.
They also expect appropriate recommendations based on their viewing habits; beyond suggesting content, they are looking for a service that really ‘knows them.’ This means that the service understands that they watch specific types of shows or movies and directs them to similar content at the right time. For example, someone who watches an action flick every weekend would appreciate knowing that a new action flick with their favorite actor will be available this upcoming weekend. However, someone who watches historical series nightly may appreciate daily updates about upcoming episodes.
Personalization, to be relevant, needs to go well beyond the content; to be implemented successfully, it must also consider the context.
AI and machine learning are advancing personalization
AI and machine learning are revolutionizing the realm of personalization, enabling more precise and scalable customization. These technologies excel in processing vast datasets, analyzing audience behavioral patterns, and producing insights at speeds and volumes previously unimaginable. With advanced machine learning and deep learning systems, personalization reaches a new level, as these systems can make predictions and decisions that enhance the personalization experience. They continually adapt as customer profiles and interactions evolve.
AI-driven technology leverages image recognition and natural language processing to scrutinize scenes in pre-recorded content, as demonstrated by initiatives like Channel 4’s “Contextual Moments” in the UK. This technology identifies “positive moments” within the content, which can then be aligned with specific brands for advertising purposes. The resulting ads are tailored for particular viewing audiences, offering a more engaging and relevant advertising experience.
Loyalty and Unified Experiences
Earning viewer loyalty hinges on various factors, and among them, trust plays a paramount role. According to Gartner, the crucial determinant for fostering customer loyalty isn’t solely how customers perceive a particular product or service, but rather “the level of trust they have in the organization as a whole and their likely intent to remain loyal.” Gartner also forecasts that “by 2020, more than 40 percent of all data analytics projects will relate to an aspect of customer experience.”
Providing a seamless and consistent experience across all devices and locations has become an expectation, extending beyond merely delivering high-quality video on TVs, phones, and other connected devices. Viewers now anticipate that their TV service will recognize them in various scenarios and maintain a consistent experience. Whether they’re halfway around the world or signing in from a different device in their own home, the TV service should readily identify their profile, remember where they left off watching a show, and offer the same familiar interactions that viewers have come to expect. This level of personalization and consistency is instrumental in nurturing trust and loyalty.
Monetization through Personalization
For TV service providers, personalization not only enhances the viewer experience but also unlocks monetization opportunities, particularly in the realm of targeted advertising. By leveraging data-centric strategies, TV service providers can seamlessly integrate advertisements that resonate with the viewer’s interests.
The growing popularity of digital advertising in television is attributed to three key factors. Firstly, advertisers can precisely target their messages to individual viewers, ensuring that people only see ads that are relevant to their preferences. Secondly, ad buyers pay for impressions that are measurable and precisely targeted, optimizing their return on investment. Lastly, the entire advertising value chain is streamlined and automated, reducing inefficiencies and enhancing cost-effectiveness.
Targeted advertising is an integral component of a comprehensive approach that thoroughly understands the viewer and personalizes the experience from the moment they sign in, throughout their viewing journey, including the ads presented to them. This level of personalization not only enhances the viewer’s engagement but also creates a more lucrative advertising ecosystem for TV service providers.
Promoting engagement by getting there first
Viewers who value their personalized TV experience are more likely to remain loyal to their current service. They understand that it takes time for the system to understand their preferences, and they are often reluctant to start anew with another service. Therefore, it’s paramount for TV service providers to be at the forefront of this new wave in order to attract new viewers and maintain their engagement. Given the high cost associated with acquiring new customers, businesses are well-advised to prioritize customer retention. Estimates suggest that acquiring a single new customer can be anywhere from 5 to 25 times more expensive than retaining an existing one.
In today’s fiercely competitive TV industry, viewer choices are heavily influenced by having a service that has established and sustained a warm and intelligent connection with them. TV service providers must empower their organizations to harness their data resources to the fullest and foster a strong, personalized relationship with viewers, ensuring continued loyalty and satisfaction.
On October 13, Thudo Multimedia had the honor of being one of the pioneering enterprises to receive a memorandum of cooperation within the framework of the Project for Enhancing the Competitive Capacity of the Private Sector in Vietnam (IPSC). This recognition occurred at the “Pioneering Entrepreneurial Spirit, Sustainable Innovation in Vietnam” forum, organized by the Ministry of Planning and Investment with the support of the United States Agency for International Development (USAID).
Thu Do Multimedia’s exhibition area at the forum According to the results announced on October 7, 2022, Thudo Multimedia was one of the first 6 businesses to receive the Premium Support Package from the USAID IPSC project. This project aims to select pioneering enterprises (PEs) with innovative Vietnamese products, enabling them to compete in international markets. Among the selected businesses, there were technology-focused companies like Thudo Multimedia, Mismart…
The USAID IPSC project provides support for these enterprises to develop a business strategy for the next 3-5 years, enhancing their internal capabilities and effectively leveraging external resources to adapt and grow in a rapidly changing and increasingly risky business environment.
Over the next two years, the promised support package is expected to be a significant resource for Thudo Multimedia, facilitating the active implementation of strategic activities, enhancing core management and operational capabilities, conducting research and development for international market strategies in regions such as Europe and North America, and establishing and developing high-quality human resources through international partnerships with companies like Google and Amazon. The support will also include certification consultation for international standards such as FDA, ISO, and BSI.
Thudo Multimedia has been recognized as a pioneering company in the research and production of OTT television, TV Technology Solutions, Digital Rights Management (DRM) content protection, and Low Latency Streaming.
Over the past 13 years, with a workforce from various universities such as Hanoi University of Science and Technology, Hanoi University of Science and Technology, Posts and Telecommunications Institute of Technology, Foreign Trade University, National Economics University, etc., Multimedia has consistently strived to become a strong player in the information technology sector in general and the digital content sector in particular.
In December 2019: Thudo’s Sigma DRM digital content protection solution passed the security certification by Cartesian’s Farncombe. Thudo Multimedia takes pride in being the first and only Vietnamese company to achieve this certification, as well as the sole company in Southeast Asia and one of only six companies in Asia to attain this recognition.
Thudo made it into the list of 20 global companies possessing SigmaDRM (Digital Rights Management) content protection solutions, and they confidently aim to take Vietnamese intellectual property worldwide.
Thudo have numerous technological innovations in the television sector, including livestreaming, interactive television, internet television, and Content Delivery Network (CDN).
Thudo Multimedia has implemented their solutions for many major partners in Vietnam, the United States, India, and the Middle East, including Akamai, Nuance, VTVCab, Viettel, Vinaphone, Mobifone, and MCV.
The “Made by Vietnam” solutions from Thudo Multimedia have made a notable creative impact in recent years, particularly in the OTT (Over-The-Top) field, with a strong focus on two main product lines.
The first is the Sigma DAI/SSAI solution, which enables online television and video service providers to insert advertisements into video content at the server level before it is delivered to viewers’ devices. This optimization ensures a smooth and uninterrupted viewing experience by delivering ads seamlessly within the original content. Additionally, Sigma DAI/SSAI by Thudo provides detailed ad performance monitoring capabilities, allowing advertisers and service providers to gain a deeper understanding of how viewers interact with advertisements.
The second solution is the Sigma DRM (Digital Rights Management). Statistically, copyright violations in Vietnam alone resulted in damages of up to $350 million in 2022, with thousands of websites involved in content theft and unauthorized broadcasting, all while the applicable sanctions were not clearly defined. Recognizing this significant issue, the talented team at Thudo Multimedia introduced the Sigma DRM solution, designed to safeguard intellectual property rights and prevent unauthorized duplication and distribution of digital content. This solution has been certified by Cartesian to meet international standards, and Thudo Multimedia takes pride in being the first and only Vietnamese company, the sole Southeast Asian company, and one of only six Asian companies to attain this certification.
Thu Do Multimedia’s exhibition area at the forum
The memorandum of understanding between the Department of Business Development and Thudo Multimedia serves as a significant source of motivation in Thudo’s journey, with a commitment to the mission of continuing to invest in research and development to provide more advanced technological solutions and support the sustainable development of the media and entertainment industry.
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