Top 6 SSAI Service Providers: Strengths and Weaknesses

Top 6 SSAI Service Providers: Strengths and Weaknesses

SSAI Service Providers play a pivotal role in enhancing viewer experiences and maximizing ad revenue, making the choice of the right provider essential.

Server-Side Ad Insertion (SSAI) offers several significant advantages in the world of online video streaming. One of its primary benefits is the enhancement of viewer experiences by eliminating buffering delays and ensuring seamless ad insertion. SSAI also enables precise ad targeting, tailoring ads to individual viewer preferences, thus increasing engagement and ultimately boosting ad revenue. Today, we’ll delve deeper into the top 6 SSAI service providers and examine their respective strengths and weaknesses.

1. Brightcove:

Strengths:

  • High-Quality Video Delivery: Brightcove boasts a reputation for its high-quality video platform, ensuring that viewers enjoy uninterrupted streaming without buffering or lag.
  • Ad Revenue Optimization: Brightcove’s SSAI solutions are crafted to maximize ad revenue by seamlessly integrating ads into video streams.
  • Analytics and Reporting: The platform offers robust analytics and reporting tools, allowing content providers to gain valuable insights into ad performance and viewer behavior.

Weaknesses:

  • Pricing: While Brightcove delivers a powerful platform, its premium quality comes with a price tag that might be prohibitive for smaller businesses with limited budgets.

2. Conviva:

Strengths:

  • Advanced Video Optimization: Conviva excels in optimizing the online video experience, ensuring smooth streaming, minimal buffering, and an overall superior viewer experience.
  • Comprehensive SSAI Solutions: Conviva provides end-to-end SSAI solutions, assisting users in effectively managing and monetizing their video content.
  • Viewer Insights: The platform offers in-depth insights into viewer behavior, enabling content providers to make data-driven decisions to improve content delivery and advertising strategies.

Weaknesses:

  • Complexity: Some users might find Conviva’s offerings complex, especially those without prior technical expertise, which could pose challenges during setup and configuration.

3. Akamai:

Strengths:

  • Global CDN: Akamai is renowned for its extensive Content Delivery Network (CDN), ensuring fast and reliable content delivery on a global scale.
  • Reliability: Akamai’s SSAI solutions are robust and highly reliable, making it the preferred choice for large-scale streaming events where uptime is critical.
  • Security: Akamai offers advanced security features, safeguarding content against DDoS attacks and ensuring secure content delivery.

Weaknesses:

  • Cost: While Akamai’s services are exceptional, they can be relatively expensive, making them more suitable for enterprises or organizations with substantial budgets.

4. Kaltura:

Strengths:

  • Customizable Platform: Kaltura’s video platform is highly customizable, allowing users to tailor it to their specific needs and branding requirements.
  • SSAI Integration: The platform seamlessly integrates SSAI, enhancing the viewer experience while effectively optimizing ad revenue.
  • Scalability: Kaltura caters to a wide range of businesses, from small enterprises to large corporations, offering scalability that suits various needs.

Weaknesses:

  • Learning Curve: Setting up and customizing Kaltura’s platform may require a learning curve for some users, particularly those new to video technology.

5. THEOplayer:

Strengths:

  • Flexibility: THEOplayer stands out for its versatility as an HTML5 video player that can be seamlessly integrated into existing video applications.
  • SSAI Capabilities: THEOplayer offers SSAI integration, enabling users to efficiently manage and optimize their advertising strategies.
  • Viewer Experience: Designed with the viewer in mind, THEOplayer ensures a seamless and enjoyable viewing experience with features like adaptive streaming.

Weaknesses:

  • Limited Ecosystem: Compared to some larger industry players, THEOplayer may have a more limited ecosystem of services and features.

6. Sigma DAI

Sigma DAI is a cutting-edge Server-Side Ad Insertion (SSAI) service proudly offered by Thudo Multimedia, one of the greatest SSAI Service Providers, designed to revolutionize your video streaming and advertising capabilities.

Thudo MUltimedia-Sigma DAI
Thudo Multimedia-Sigma DAI

Strengths:

  • Seamless Ad Insertion: The ability of Sigma DAI to seamlessly insert ads into video streams without causing buffering or disruptions is paramount. Thudo Multimedia ensures a smooth and uninterrupted viewer experience by effectively integrating ads into the content.
  • Ad Personalization and Targeting: Effective Sigma DAI should enable personalized ad targeting based on viewer data and preferences. Thudo Multimedia offer advanced audience segmentation and targeting capabilities to maximize ad relevance and engagement, ultimately boosting ad revenue.
  • Analytics and Reporting: Thudo Multimedia should provide a robust suite of analytics and reporting tools. This includes detailed insights into ad performance, viewer behavior, and engagement metrics. Access to actionable data allows content providers to fine-tune their ad strategies for better results.
  • Content Security: Thudo Multimedia provide a robust suite of analytics and reporting tools. This includes detailed insights into ad performance, viewer behavior, and engagement metrics.
  • Cross-Platform Compatibility: The SSAI solution from Thudo Multimedia work seamlessly across a wide range of devices and platforms, including smartphones, tablets, desktops, smart TVs, and more. Ensuring a consistent and reliable ad experience across devices is crucial for reaching a broad and diverse audience.

Weekness:

  • Learning Curve: Setting up and customizing Sigma DAI’s platform may require a learning curve for some users, particularly those new to video technology.

In conclusion, the choice of an SSAI service provider should align with your specific needs, budget, and technical expertise. Each provider presents its unique strengths and weaknesses, making it essential to evaluate them thoroughly to determine which one best suits your streaming and advertising requirements.

AVOD vs SVOD VS FAST: OTT Monetization models

AVOD vs SVOD VS FAST: OTT Monetization models

In recent years, the surge in popularity and profitability of streaming video services has been remarkable. The digital media landscape has witnessed the emergence of diverse monetization models, including Free Ad-Supported Television (FAST), Advertising Video on Demand (AVOD), and Subscription Video on Demand (SVOD) models.

However, this evolution has also created new avenues for pirates to illicitly access premium digital content, making the industry vulnerable to piracy and unauthorized distribution. To combat these threats, it is imperative to establish a robust, multifaceted, and scalable content security framework that can accommodate various content distribution and ad-generation models, ultimately envisioning a piracy-free content consumption environment. In this context, let’s explore the different OTT content distribution models and underscore the vital role that content security plays in enhancing the user experience.

AVOD vs SVOD vs FAST : How are FAST, AVOD and SVOD different?

What is Free Ad-Supported Television (FAST)?

Free Ad-Supported Television (FAST) is a model in which streaming services offer free video content supported by advertising. This model has experienced a surge in popularity in recent years, with platforms like Pluto TV, Roku Channel, and XUMO gaining substantial traction. FAST is an attractive choice for viewers who prefer not to pay for premium content but are willing to tolerate advertisements.

FAST operates on the principle of scale to generate revenue from advertisers. As more viewers consume content, the ad inventory expands, thereby attracting more advertisers to the platform. Since the advertising revenue is shared with the content providers, FAST presents a mutually beneficial solution for all parties involved.

What is AVOD?

Screenshot 5 3

Advertising Video on Demand (AVOD), in contrast, permits viewers to access premium video content at no cost, with the condition that they watch advertisements. This model represents a step up from FAST, featuring higher-quality content and a more sophisticated advertising approach that tailors ads to the viewer’s preferences and demographics. A prime example of an AVOD streaming platform is YouTube.

AVOD can prove to be a lucrative model for both the service provider and content creators, as advertising revenue can be shared between them. However, the success of AVOD hinges on the platform’s ability to attract and retain a substantial audience, a task made challenging by the competitive nature of the market.

What is SVOD?

Subscription Video on Demand (SVOD) is a model in which viewers subscribe and pay a fee to access premium video content without encountering advertisements. This model has gained widespread popularity through services like Netflix, Amazon Prime Video, and Disney+. The appeal of SVOD lies in its provision of exclusive content, tailored recommendations, and an uninterrupted, ad-free viewing experience.

The revenue generation of SVOD hinges on nurturing a dedicated subscriber base. To achieve this, these services make substantial investments in creating original content to maintain subscriber engagement. The drawback of SVOD is that the subscription fees can be relatively high, potentially limiting the size of the potential audience.

Why FAST and AVOD need Multi-DRM and Forensic watermarking

While the primary revenue model for FAST and AVOD platforms is advertising, they still have an interest in protecting the value of their content and maintaining positive relationships with content owners. Therefore, they employ multi-DRM systems, either in-house or through third-party providers, to strike a balance between content protection and accessibility for their audience.

Implementing multi-DRM solutions allows these platforms to apply encryption and access controls to their content, limiting unauthorized viewing or copying. It helps prevent piracy and protects the rights of content owners. Additionally, multi-DRM solutions enable content providers to enforce usage policies, such as limiting the number of devices that can access the content simultaneously or setting expiration dates for downloaded content.

Forensic Watermarking, is other techniques can be employed to track and identify illicit distribution of content.

Sigma multi-DRM supports FAST, AVOD and SVOD models that allows your content business to maximize scalability and revenue potential through the OTT video route, all along ensuring a top-notch user experience. The security framework is flexible enough to enforce concurrent streaming experience across devices while providing premium user experience.

In conclusion, the choice of monetization model depends on the goals of the content provider. FAST and AVOD are great options for content providers who want to reach a large audience, while SVOD is ideal for those who want to generate revenue from a loyal subscriber base. Ultimately, the success of any model relies on the quality of the content and the ability of the platform to attract and retain viewers.

How Server-Side Ad Insertion Is Transforming Video Advertising As We Know It

How Server-Side Ad Insertion Is Transforming Video Advertising As We Know It

In an era when ad blockers threaten the revenue streams of online media companies, technology has risen to the challenge with innovative solutions. Server-side ad insertion (SSAI) is one such technology that offers a way to seamlessly integrate ads into content streams while bypassing ad blockers. This not only ensures that ad revenue is protected but also provides consumers with a high-quality, non-interruptive viewing experience. In this article, we will explore how SSAI is changing the advertising landscape, its benefits, recent developments, and what the future holds for this technology.

The Rise of Ad Blockers

Advertising is a reliable source of revenue for many online media companies, but the rise of ad blockers could have a significant negative impact. According to PageFair’s 2017 Ad Blocking Report, consumers used ad blockers on as many as 615 million devices globally, and more than half of these were mobile — that’s a 30 percent increase from PageFair’s 2015 report. Additionally, research firm Forrester estimates that in 2016 alone, $20.3 billion in ad spending was blocked.
Ad blocking is only expected to increase, and as this trend continues, content providers need a reliable solution to deliver a high quality experience for consumers, while still protecting ad revenue.
Enter server-side ad insertion (SSAI), a technology that stitches ads directly into a content stream prior to delivery rather than through the app or browser on a consumer’s device. This technique doesn’t simply bypass ad blockers but also reduces the reason for using them, by ensuring ads are delivered seamlessly.
In order to maximize the benefits of SSAI, media companies should think about ads in a new way – as a part of their overall content strategy rather than as an interruption to the viewer experience. Read on for an overview of SSAI and its benefits; the latest developments around this innovative technology, including reduced latency; and what the future holds for SSAI.

How SSAI removes the need for ad blockers

In a conventional system without SSAI, premium video content is delivered via one path, while ads are often “decisioned” and inserted via an independent second path. The two are combined at the consumer end of the delivery chain, where users watch video content. Because the content and advertising are joined at the “client,” viewers often experience interruptions while the app or website orchestrates all the moving pieces. Viewers can experience drops in video quality, black screens, additional video buffering and slower load times.
More viewers are bypassing this entire inconvenience with ad blockers, which block that second ad delivery path, while still permitting publisher content to arrive through the primary path. It’s important to remember, however, that consumers don’t necessarily dislike ads, but everyone dislikes a negative experience. In fact, in a recent Moz consumer survey, 42 percent of consumers said traditional advertising, like television or radio spots, had a positive effect on their purchase decisions. That’s a clear indicator that the same consumers who are using ad blockers to quiet disruptive ads aren’t bothered by similar messages through other channels. This is where SSAI comes in.
Also called “ad stitching,” SSAI integrates ad content with video content upstream at the server, rather than at the client. It bypasses ad blockers by serving both pieces of content in one package, making it difficult to distinguish between the two. Additionally, because the ad insertion is seamless and part of the overall video stream, consumers are far less likely to have negative experiences as a result of the advertising.
Our Verizon Digital Media Services 2016 Quality Matters survey found that 86 percent of viewers say it is very or extremely important to experience TV-like quality every time they watch, on every screen they use. We also found that the average viewing session across all devices falls by 77 percent when there is a significant drop in video quality. SSAI brings increased quality and speed, meeting viewers’ ever-rising expectations.
Viewers have responded positively. According to a report from ad tech company Free- Wheel, viewers complete 98 percent of SSAI ads served on OTT platforms.

Greater potential for personalization

Screenshot 2 1

SSAI does more than just bypass ad blockers — it also helps advertisers offer more relevant, targeted ads. This is partly thanks to the ability for server-side ads to be dynamically “decisioned” and inserted uniquely and per consumer stream.

For example, an SSAI-based session management tool like our Sigma DAI/SSAI creates a unique session that represents a single user on a specific device. This provides advertisers and publishers with better data — for example, geographic location, device type or historical activity – allowing them to deliver personalization that ensures the right message reaches the right user at the right time. In this way, dynamic ad insertion (DAI) has the potential to help create more personal experiences through enhanced consumer knowledge and targeting.
Consumers today expect advertising to be both tailored to their interests and compelling, and the session-based approach lets advertisers meet and exceed those expectations. With both DAI and SSAI, a true one-to-one and seamless video ad experience is possible. Improved content delivery increases engagement for the client, mitigates ad blocking, and ultimately, creates a more valuable relationship between advertisers, publishers and consumers.

Future proofing: What’s next for SSAI

As the technology that makes it possible continues to advance, SSAI is evolving too. For one, it’s becoming simpler to implement. Across the board, SSAI-savvy publishers are migrating to VAST 4.1, which supports advertisers’ growing demand for third party measurement solutions in addition to higher quality user experiences when ads are playing. This is accomplished through a new industry standard for separating the video ad creative from the measurement, verification, and interactivity components that advertisers rely on today to achieve their digital marketing goals. The new standard also enables these capabilities across a variety of platforms, including desktop, mobile, and OTT devices. Using a single video format across all devices, as we do at Thudo Multimedia, greatly simplifies the insertion, delivery, tracking, and reporting of both content and ads.

Screenshot 3

Another recent innovation in SSAI technology is decreased latency. As RAM storage becomes cheaper year after year, content delivery networks (CDNs) are able to deliver media – including server-side ads – to users more quickly and efficiently. This is especially noticeable when a content creator is relying on one end-to-end CDN to oversee media and ads from start to finish. That means there’s no buffering as the content changes hands, either. We’re also working on facilitating low latency video streaming, complete with full session-based server-side ad insertion. That means delivering content with low latency – 40 percent closer to real time and encoding up to 60 frames per second — all with the full functionality of SSAI.

SSAI isn’t simply the latest innovation; it’s quickly becoming mandatory. As more viewers come to expect the seamless delivery of content and ads, advertisers and publishers that don’t get on board are certain to get left behind.

Over-the-Top Market: Growth Trends and Opportunities

Over-the-Top Market: Growth Trends and Opportunities

The Over-the-Top (OTT) market is growing rapidly, with global revenue expected to reach $434.5 billion by 2027. OTT services deliver video, audio, and other media content over the internet directly to users, bypassing traditional distribution channels such as cable and satellite television.

The growth of the OTT market is being driven by a number of factors, including:

  • The increasing popularity of streaming devices: Smart TVs, streaming sticks, and game consoles are making it easier and more convenient for consumers to watch OTT content.
  • The rise of original content: OTT providers are investing heavily in original content, which is attracting new subscribers and keeping existing subscribers engaged.
  • The affordability of OTT subscriptions: OTT subscriptions are typically much more affordable than traditional cable and satellite TV subscriptions.

The OTT market is highly competitive, with a wide range of providers offering a variety of services. Some of the leading OTT providers include Netflix, Amazon Prime Video, Hulu, Disney+, and HBO Max.

Growth Trends in the Over-the-Top Market

A number of growth trends are emerging in the OTT market, including:

  • The shift to mobile: Consumers are increasingly watching OTT content on their mobile devices. In fact, mobile devices are now the most popular platform for OTT viewing.
  • The rise of live streaming: Live streaming is becoming increasingly popular, with consumers using OTT services to watch live events such as sports, concerts, and news.
  • The growth of ad-supported OTT: Ad-supported OTT services are becoming more popular, as they offer consumers a way to watch OTT content for free.

Opportunities in the OTT Market

Content production: OTT providers are constantly looking for new and original content to attract and retain subscribers. This presents an opportunity for content producers to create and sell content to OTT providers.

Screenshot 5 2

The OTT market offers a number of opportunities for businesses, including:

  • Advertising: OTT services offer a number of advertising opportunities for businesses. For example, businesses can advertise on OTT services through pre-roll ads, mid-roll ads, and product placement.
  • Technology development: The OTT market is constantly evolving, and there is a need for new and innovative technologies. For example, businesses can develop technologies to improve the streaming experience for consumers, or to develop new ways for OTT providers to monetize their content.

Conclusion

The OTT market is a growing and dynamic market, with a number of opportunities for businesses. By understanding the growth trends and opportunities in the OTT market, businesses can position themselves to succeed in this exciting market.

How Dynamic Ad Insertion in VoD Works

How Dynamic Ad Insertion in VoD Works

How do you insert ads into your content if you’re streaming video in a VoD environment? The answer is dynamic ad insertion, which lets you serve different ads to different audiences. How does dynamic ad insertion work for VoD? It’s a simple concept that relies on some sophisticated technology.

Quick Takeaways:

  • Dynamic ad insertion enables the insertion of different ads for different users into streaming video content.
  • Dynamic ad insertion uses server-side ad insertion (SSAI) technology to inject ads into existing streaming content.
  • Dynamic ad insertion lets advertisers target personalized ads to specific viewers.
  • Viewers benefit from seeing more relevant ads in VoD programming and experience a “seamless” stream akin to broadcast viewing.
  • Advertisers benefit from a more targeted audience and more efficient ad spending.

What Is Dynamic Ad Insertion?

Advertisers have long been able to insert ads into streaming video content, both live streams and video on demand (VoD). Dynamic Ad Insertion (DAI) expands on that concept by enabling advertisers to insert different ads for different viewers.

Lower revenue, poor advertiser quality, and lack of standardized measurement are top advertising concerns today.

Lower revenue, poor advertiser quality, and lack of standardized measurement are top advertising concerns today.

Dynamic ad insertion in VOD content.

With the continuing growth of advertising-based video on demand (AVoD) services, advertising has become a critical part of the streaming video landscape. By using DAI, advertisers can target specific types of viewers based on viewer insights and their own campaign goals. DAI even lets OTT services deliver more ads to specific viewers of VOD content or different ads based on the viewing device. It’s all about delivering seamless insertion and personalization of the ad experience for each viewer.

The primary benefit of DAI is that, unlike traditional broadcast advertising, it doesn’t serve the same ads to everybody. DAI allows the microtargeting and mass personalization that viewers demand and that advertisers benefit from. Viewers get ads targeted to their interests and behaviors, while advertisers don’t waste their ad dollars on consumers who have little or no interest in what they’re selling.

How Does Dynamic Ad Insertion in VoD Work?

To deliver microtargeted ads in OTT programming, DAI uses server-side ad insertion (SSAI) technology. Unlike client-side ad insertion (CSAI), which embeds ads at the device and requires two players (an ad player and content player), SSAI intercepts content from the OTT provider and inserts selected ads into the existing stream. This provides a seamless transition between content and advertising and enables the insertion of dynamically selected ads. (in 2020, Pixelate estimated that 40% of streaming ads are delivered via SSAI. Today that number is significantly larger.)

This all works because streaming video assets aren’t usually single files, but rather a flood of small chunks of video. The chunks are sent over the internet from the OTT provider and then reassembled on the viewer’s computer, phone, or media streaming device. A streaming manifest describes the correct sequence for these video chunks, which also plays a key role in dynamic ad insertion.

Dynamically inserting streaming ads with SSAI is a multi-step process that involves several different entities. It looks like this:

4ccef3 08b93fdd4ffa427ca0afe5ba1a31e080~mv2

How server-side ad insertion works.

  1. The viewer selects a VoD program to watch.
  2. The viewer’s media player sends a request for the VoD program to the OTT service’s content distribution network (CDN). The request includes information about the viewer to enable advertising targeting.
  3. The CDN is configured to use an ad insertion service for its manifests rather than the content originator. It relays the viewer request to the ad insertion service.
  4. The ad insertion service pulls the template manifest, including ad markers, from the content origin server. The ad markers tell the ad insertion service where to insert ads in the program.
  5. The ad insertion service sends a request to the ad decision server. This request includes information about the viewer such as the viewer’s player, the number and length of each ad break, available demographic info, and so on.
  6. The ad decision server uses the provided information to determine what ad(s) to serve for each ad break, then transmits the URLs for those ads to the ad insertion service.
  7. The ad insertion service adds the URLs for the ads to the manifest and sends what is now a complete manifest (content + advertising) to the viewer’s player via the CDN. At this point, every viewer receives a unique manifest.
  8. Playback begins on the viewer’s device.
  9. The viewer sees the ad(s) as inserted into the VoD programming.
  10. The ad insertion service or the viewer’s player generates data about the ad viewership. This data is then transmitted to the ad service for reporting purposes.

How Does a DAI System Decide What Ads to Serve?

One of the key attributes of dynamic ad insertion is the ability to serve personalized ads to individual viewers. It’s this ad personalization that offers value to all parties involved.

How does a DAI system know what ads to serve to what viewers? Ad targeting is part of the overall DAI process, based on information about the viewer provided by the publisher’s viewer’s subscription services on their devices. The OTT provider may know that viewers of a specific gender, age group, income level, and location want to watch a given program. That information enables advertisers, to attach highly personalized ads to programming that matches their viewer targets.

Bidding on specific ad slots is handled via programmatic advertising. Programmatic advertising uses machine learning and other technologies to automate ad buying and serve targeted ads to individual viewers. The State of Connected TV/OTT: Ad Supply Trends Report from Pixelate reveals that programmatic video advertising now reaches 72% of U.S. households.

The entire programmatic advertising process involves OTT providers, supply-side platforms (SSPs), demand-side platforms (DSPs), and advertisers. An SSP is an automated service that lets OTT providers sell their ad blocks to multiple DSPs. A DSP is an automated service that lets advertisers place ads with multiple OTTs via their SSPs. The OTT provider deals with one or more SSP, whereas advertisers deal with one or more DSPs.

The OTT provider tells the SSP what ad blocks are available and information about the program content and viewer demographics. The SSP transmits that information to one or more DSPs. The DSPs use that information to match available ad blocks to relevant advertisers, who’ve targeted the audiences that match what the OTT is transmitting. Advertisers can buy based on pre-determined pricing (Programmatic Guaranteed, DealID based) or, depending on the OTT provider, bid on available ad blocks via the DSP. In either case, the DSP will choose one or more advertisers to send to the SSP for consideration of inclusion in the ad break.

The result is that viewers see personally relevant ads seamlessly inserted into their VoD programming. They get an enhanced viewing experience while advertisers reach a targeted audience and get better value from their ad spend. This also benefits OTT providers, who generate greater ad revenues and keep their viewers more engaged during commercial breaks.

Contact us today to learn more about dynamic ad insertion and SSAI.

How aggregation is helping drive OTT subscriber numbers

How aggregation is helping drive OTT subscriber numbers

Industry Insights: New research shows that there is still plenty of headroom for OTT growth even in saturated markets, while we now have a better understanding of the composition of European OTT content libraries, and The DPP sets the industry mood music for the year.

Aggregation helps drive OTT subscriber numbers

While it is often tempting to think of OTT markets rapidly becoming saturated, study after study constantly finds headroom in even the most crowded marketplace.

As Rapid TV News reports, a new study from Parks Associates has found that 60% of Pay-TV subscribers, accounting for nearly half of US broadband households, are interested in streaming films and TV shows from an online video service as part of their Pay-TV subscription. What’s more, Pay-TV providers are responding to this demand, as the number of pay-TV consumers who receive online video services jumped nearly 50% in a year.

The average number of OTT services among households that have any OTT service was found to be 3.8, while the data shows households with Pay-TV services plus at least one OTT service subscribe to 4.2 OTT services on average.

“Parks suggested that pay-TV providers must keep offering their most valuable content, which includes live sporting and cultural events,” writes the website. “Additionally, it advised operators that they must offer access to streaming, target new services to their interested customers, and perhaps be willing to take a hit on pricing until this [current] chaotic market stabilizes.”

Meanwhile, and not unrelated, data presented by stocks analyst Trading Platforms shows that Netflix still has potential for growth in the US (and, by implication, elsewhere in the world).

The SVOD giant currently has 66m subscribers in the US, approximately one-third of its global total. Trading Platforms extrapolates that to 168.9m unique viewers per month and reckons that will grow to 182.2 by 2024, an 8% increase. Subs will grow in turn to 71% by 2025.

Amazon is currently the second-largest SVOD provider in the US and will remain so, increasing its subscriber numbers to 59.8m. Hulu’s growth is impressive too as the chart below shows, rising to 49.5 million.

But it is Disney that produces the most arresting figures, with Disney+ going from a standing start to 49.8 million subscribers by 2025. That is up 118% over its 2019 already impressive debut. By the end of 2020, 72.4 million people were already tuning in at least once a month.

And while we are talking about markets and subscribers, it is worth mentioning new research that shows insights into the behavior of SVOD subscribers through the lens of what sort of moviegoers they are.

“Cinema power users are subscribed to 50% more SVOD services than infrequent goers, rent twice as many new movie releases, purchase three times as many new releases, and are around three times as likely to pirate content from unauthorized sources,” writes Digital TV Europe. 

That said, it’s worth noting the YoY change across the categories for piracy in particular. It is down for the power users but up 28% YoY to just under 24% of all cinema goers, a much larger number of users, and an indication that the problem of content piracy in lockdown has not gone away. 

Mapping the European OTT industry’s content libraries

The European Audiovisual Observatory has just launched its latest round of figures and, for the first time, is including television content — both series and TV films — in its LUMIERE VOD database. 

Screenshot 18

As its headline for its announcement of this says, it has uncovered the fact that 44,000 European films and over 12,650 European TV seasons are currently available on a total of 462 VOD services in Europe (138 TVOD and 324 SVOD catalogs). This is a lot of locally produced content, especially given the perception of US dominance in the OTT market. But it arguably gets even more interesting when you dig down into some of the details. 

Here are our key takeaways from the figures.

  1. The UK still dominates European TV

The European market has four main content producers, the UK, Germany, France, and Spain. However, the presence of UK-produced content is highly disproportionate to its size. The United Kingdom leads the pack with 44% of all content, followed by Germany (17%), France (9%), and Spain (6%). Together these four provide three-quarters of all available European TV titles on VOD.

  1. A surprising lack of TV co-pros

While the film market featured 30% co-productions with other countries, only 12% of all European content was produced this way. The main secondary co-production countries are the United States and Canada.

  1. Children’s content dominates

9 out of 20 of the Top 20 European TV titles present in catalogs were children’s animated series. Peppa Pig dominates, found in 69 separate catalogs in 20 countries, with the rather more adult-themed live-action Irish/Canadian co-pro of Vikings not far behind. The cultural phenomenon that is Lego enabled Denmark to snag four positions in the Top 20 with its Ninjago: Masters of Spinjitzu.

  1. Age is no barrier

The average year of production for the Top 20 library content was 2011, though catalogs tended to trend much older than that and the average year of production of all TV seasons found on VOD in Europe was 1987. However, it’s worth noting that 60% of TV content was less than 10 years old, and it is largely outliers such as David Attenborough’s landmark BBC Zoo Quest series (1954) dragging the average down.

Assessing the mood of the industry

Some interesting insights into the year ahead come from the industry body, The DPP. Each year it considers five overarching themes, which it dubs the mood music of the year, that it thinks will inform media businesses in the year ahead. 

In previous years when it has done this, you can detect a slow and steady evolution from one year to the next. Unsurprisingly, 2021 is a bit different, and the mood music selected for this year is in places wholly new. 

  • Values

The articulation of business values, and the need to act upon them, is becoming increasingly necessary to attract, maintain and motivate employees on the one hand, and to stay relevant to customers on the other. Sustainability was the value that first broke through at the board level, but this is being joined by diversity and inclusion, wellbeing, trust, and social responsibility.

  • Data

Understanding the way the pandemic has reshaped the industry needs careful analysis, and companies are increasingly looking at data to provide far more nuanced views of business matters than before and inform the changes they need two make in the future.

  • Innovation

“Innovation is no longer a choice,” says The DPP, arguing that companies have to innovate if they are to maximize the opportunities that exist in the current slowly post-Covid market.

  • Adaptability

The DPP’s thoughts on this are worth quoting directly to pick out the subtleties over previous years.

“Over the years, we have seen the mood music theme of speed give way to one about agility. This refinement noted that going faster wasn’t always the appropriate response; sometimes the need is more to be highly responsive. 

“That notion has been refined again this year. Many wanted to capture the widespread need for flexibility which has come with both difficult economic circumstances and the need to innovate. The notion applies both internally and externally. 

  • Resilience

The ability to simply maintain business operations despite everything else currently going on.

The organization has also made some more straightforward predictions too, including the increased use of AI and automation and the growing importance of cybersecurity, and we’ll probably have a look at them in detail next time.